The List made a hip-hop night out of the second day of the festival.
It might be because I’m a millennial, or perhaps it has something to do with my cookie-cutter, suburban upbringing, but I’m always looking forward to a night of rap and hip-hop. Diskoteket’s entire line-up last night was just that, so The List decided to post up and catch all four shows at the nightlife spot of the year according to Adressa.
We pulled up to the spot just as the doors opened in order to grab some seating, and it wasn’t long before people started filtering in.
First up was Turab, an artist coming from Manglerud in the Oslo area. From the get-go, he had great energy on the stage. The beats, which he produced himself, were solid and even got the Norwegian crowd to start bobbing their heads. Lyrically I followed along as best I could and liked what I heard – Turab delivered with good flow and varied subject matters. The List is looking forward to Turab’s return to Trondheim.
After a short break, the next man on stage was Ganezha. It was an enjoyable show, and Ganezha’s kit was certainly the wildest! His music was simple and mellow, keeping up the good vibes for the whole evening.
Next up was one of the heavy hitters of the evening: Emir. I was familiar with Emir as half of the duo $ushi x Kobe, which played in Trondheim during UKA this past fall. People seemed eager to catch another act from Emir, as Diskoteket was packed to the walls before the first beat dropped.
The set was tight, and with most of the shows at Trondheim Calling it was over all too quickly. The crowd was eating up what Emir was setting in front of them and it led to a great energy in Diskoteket.
Trondheim’s own Gerald Ofori closed the stage down last night. After hearing a heavy amount of hype about this dude in the months and weeks leading up to Trondheim Calling I was excited to see what it was all about.
I would say that the hype was worth it. Gerald put on a great performance live, with some outstanding beats and catchy lyrics. After his show last night I think there will be a number of people keeping an eye out for more from Gerald.
All throughout the night people were filtering in and out, some would stick around for a show or two and jet off to another venue. It was cool to see the different ways people experience Trondheim Callings massive amount of concerts and flowing through MidtByen – a strategy worth adopting tonight to squeeze out the most of this last evening of Trondheim Calling.
The winter music festival started with a bang last night.
Finally, Trondheim Calling has gotten started and the List has been counting down the days.
The first stop had to be the festival bar at Trondheim Calling’s headquarters. It was a great way to get in the festival mood and plan the path through the night.
After that, we hopped across the street to Moskus and Jonas Skybakmoen. It was pretty packed when we first walked in, but we managed to get up to the bar as people kept streaming through the door. By the time the show started there was little room to move. But this only added to the show, with such an up-close, intimate venue the energy from the band cascaded over the crowd easily.
I had never heard any of Skybakmoen’s music before I walked into Moskus last night, and I certainly enjoyed what I heard. With synthy pop beats the tunes reminded me much of 80’s synth-rock, but with a modern twist. The concert was over before I was ready, all the bands last night were playing shorter sets. While it was incredibly cozy pressed up against a number of strangers, I could have done with a few more tracks from Jonas Skybakmoen and co.
While Jonas had a tremendous voice and stage presence, I was most impressed by the drummer. The dude played his parts to perfection – at least to my unmusical ear.
Quickly disengaging from the crowd in Moskus we popped out the door to catch a little breath. Then hit the bricks in the direction of Diskoteket, the next stage of our journey with another band I had little background on before last night: Sam & Sky.
We rolled into Diskoteket pretty early to have a chance at getting a good spot to post up by the stage for Sam & Sky’s show…and of course for easier access to the bar. The crowd starting filtering in, but with a bigger venue compared to previous one, we had a little breathing room.
Without warning the music started and I was immediately caught up in the atmospheric beats and smooth female vocals accompanying them. The music had a great vibe and is the kind of music you want coming out the stereo parked in some sweaty club or while getting ready with the squad to paint the town red.
From the back of the room what struck me as odd had nothing to do with the music, but more the Norweigian-ness of the crowd. There was hardly a bobbing head to be seen, let alone anyone letting loose.
Captivated by this social aspect of my adopted home, I wanted a chance to speak with the artists about their show. As they were breaking down their equipment I chased the duo down. And started with a good ol’ fashioned: “how ya’ doin’?”
“It was good, it was a short set, but as we’re working on completing an album it was perfect with the material we had ready” beat-master Sam had to say.
“I love the tiny clubs here in Trondheim, this is the second time we’ve played here.” was the frontwoman, Sky’s, response.
The pair both gave great insight into what playing for a Norwegian audience is like as well:
“If you can get a Norwegian to bob their head you know you are doing something right,” said Sky.
Would have loved to see a repeat performance from the two this weekend, but for now keep an eye out for Sam & Sky’s coming album, as well as some future tour dates. The List certainly hopes they will be back in Trondheim soon!
Dipping out from there it was straight to Kunsthallen for one of the bands I’d been looking forward to the most: Haunted Mansions.
Immediately upon arrival, I realized I wasn’t wearing enough flannel to fit into the crowd. But that didn’t stop me from enjoying the music immensely. Having heard a million different descriptions of Haunted Mansion I wasn’t really sure what to expect, but I was more than pleased with the results. To me it had elements of surf and synth rock, mixed up with Haunted Mansion’s own unique flavour.
Kunsthallen was a cool venue, but I think Haunted Mansions will be best served on the bigger stage in Olavshallen Lille Sal on Saturday. Definitely recommended!
It was cold as sh*t out there last night, and also a weekday, which made the streets pretty quiet in terms of people walking around. I expect the activity will be much more amplified tonight and tomorrow. Just don’t forget to bring your jacket!
This weekend in Trondheim is the official start of the holiday season (though walking into many shops around town you might have thought it started weeks ago).
The List caught up with Emma Jarvis, founder of the Trondheim Vegan Fair, who are hosting their own Christmas Market this weekend at Verkstedhallen and Habitat. The market is free to enter and boasts a variety of shopping, eating, learning, and entertainment options.
How did the Trondheim Vegan Fair get started?
“I started it. I lived in Oslo for one year and really enjoyed the Oslo Vegetarfestival. When I moved up here and found nothing really going on in the same vein, I wanted to get something started.”
“This is the first time we’ve done a Christmas market, we have the festival in the spring which is more focused on practical stuff, where this event is more to celebrate the season and have fun.”
Why did you choose Veganism?
“I’ve been a vegan for about four years; since I went to university I was quite involved in the environmentalism stuff. So initially I came into it through that; that it’s more environmentally friendly to eat vegan.”
“But that’s not the thing with the vegan fair, not to be preachy. Its just about getting people to try different foods, inspire people. Take the cookery classes for instance where people can learn to cook great food that is also vegan.”
Why is the Vegan Fair important?
“I think that Trondheim has a lot of really cool cultural events, and this just adds to that diversity. Also, more and more people are choosing to eat less animal products like meat and cheese; Coop now has vegetarian day and Synnøve now has a vegan cheese.”
“It also provides an easy platform to teach and learn about veganism – helping people to think about how they can cook a meal differently or just enjoy different kinds of food.”
How would you convince someone to come to the Christmas Market?
“You get to try loads of awesome food, stuff that’s not normally in Trondheim. Like a vegan-friendly bakery from Oslo that are coming with cakes and vegan ice cream! Another company that makes artisan vegan cheese that is delicious.”
“It’s a fun place and a food festival where you can learn lots of stuff. Theres a workshop on how to have an environmentally friendly Christmas; the documentary that shows how people in Norway are shifting to more plant based diets, which is neat that it has a Norwegian context which will hopefully be much more relatable for Norwegians.”
“A mix of workshops in both Norwegian and English, its about 50/50 so it will be accessible for most people! The Market has super good vibes, and it’s free!”
There is an after party as well?
“Yes, at Habitat. The awards ceremony for things like the best vegan friendly restaurant, there will be different musicians that will be playing like Sivert Ericson and also Gibberish the improve comedy group, but its mostly about hanging out, eating pizza, and being social. It’s a party!”
Don’t miss out on this unique and fun event this holiday season. Starting at 11:00 at Verkstedhallen, it will be a great way to spend a day out of the cold!
Rake Visningrom is one of the more interesting locales in Trondheim – from both an exterior and interior standpoint. The uniquely crafted building lies where the city meets Trondheimfjorden, just up from the ferry terminal.
The List met up with one half of the dynamic duo that curates and runs the showroom, Charlotte Rostad, to talk about art, RAKE, and Trondheim in general.
“RAKE is a non-commercial space to show art, run by two people, so it’s a very independent place to hold exhibitions. We’ve been running it for six years now, and this building is our third location.”
“We do lots of things, like our regular programmes with mostly solo-exhibitions. We’re always trying to make it surprising for us, and for Trondheim, always trying to do new things, like experimenting with exhibit format. So we do things in the space, but also larger things outside, or in cooperation with other locations.”
“We bring this stuff in so we can talk about art in its broader sense. To have fun, and to play, and be able to meet other artists and have those discussions is sort of our goal. The art scene in Trondheim is very small, so to bring in other people and be able to constantly talk about art is something very special to us.”
A new exhibition opens up this evening at RAKE. Stop in for their social event tonight, or check it out over the coming weeks. The exhibition will be featuring the work of Gabriel Johann Kvendseth, an artist based out of Bergen.
“Its kind of sculpture based, its like equipment made out of garbage and things he finds on the street. And makes these beautiful pieces that resembles tools. It’s really quite strong. It will be interesting to see how the space is used to show his work.”
With the Norwegian horror festival Ramaskrik starting up today and Halloween quickly approaching, we at The List thought this might be a good time to add something to the holiday fervor. So, without further ado here is our list of the best Norwegian horror films to scare yourself with on these cold October nights.
De Dødes Tjern / Lake of the Dead
An oldie, but a goldie. This film from 1958 is considered to be a classic in the Norwegian film industry, The story follows a group of teenagers doing one of the most Norwegian things possible, taking a trip to a cabin. Sounds peaceful, that is until the screams of a crazy man can be heard coming from the nearby lake.
Naboer / Next Door
This psychological thriller follows the post-breakup terror of the protagonist, John. His two female neighbors heard the less than amicable breakup through the walls and invite John into their flat to help console him. From there it is all sex, violence and psychosis – what more could you want for a down and dirty late night horror movie? This film is not for the faint of heart and rightly so, carries an 18+ rating.
Fritt Vilt / Cold Prey
This film follows a group of friends on their backcountry snowboarding adventure near Jotunheimen. After a rather predictable accident one member of the group breaks his leg and the friends are forced to seek refuge in an abandoned alpine hotel, and of course there is someone else there. For classic horror fans, this film has a few nods to The Shining – see if you can spot them!
A new reality TV Show is on tap, and the crew decides to take a preparatory trip before they begin filming; the trip comes with a strict no cellphone policy. And can you believe it, its a trip to a cabin isolated deep in the woods. When a few members of the group stumble upon a dead body in the woods they believe they are just being tested, and decide against telling the others. But soon some weird and unnerving incidences occur and lead to paranoia, accusations, and mistrust among the crew.
A new release Hjemsøkt follows our main character Catherine, played by Synnøve Macody Lund. When her father dies, Cathrine inherits the old family estate and travels alone to childhood funnels to sell the property and move on. Soon she realizes the house is holding its share dark secrets. She’s not alone, and what’s waiting for her behind the doors she can’t escape from. Check this one out on the screen at Ramaskrik!
There are few Norwegian films as popular as the two Død Snø / Dead Snow films and Trollhunter. But you can’t have a list of Norwegian horror movies without at least mentioning them. So here they are! If you haven’t seen them, check em’ out (who doesn’t love a good nazi zombie movie?). If you have seen them, perhaps its time for another watch.
Looking for something to do this weekend? Then check out Avant Garden’s Bastard Festival; it starts tomorrow and runs through the weekend.
This annual, performing arts festival seeks to surprise and prod its audience – and take a
good, hard look at our global society in the process. The program for this year’s festival features dance, theatre, film, and every combination of them. Not to mention the artist talks, workshops, seminars, and other social events.
Each fall, The Bastard Festival presents some of the very best contemporary performing arts projects from the Norwegian and international independent art scene. We decided to talk with some of the festival organizers to find out more about some of the performances and find out which ones shouldn’t be missed.
The first suggestion was Piece for Person and Ghetto Blaster: a dissection of human behaviour in regards to the complexities of intervention. The performance stems from an interaction the artist had with a man throwing stones at a duck. Branded as “stand-up choreography” this piece mixes dance and humorous text that is sure to appease.
Another to look forward to is (re)remember study – Trondheim. In this, the performance artists asks Trondheim locals to talk them around the city and take them to places with particularly fond memories associated with it. The walks are documented through various mediums; then in a live composition the stories are re-remembered and interpreted through the artistic meditations of the performers.
Bastard Festival offers something unique to the city of Trondheim, and while the artistic side of it may seem daunting, or perhaps too avant garde, to some, the experience is fantastic no matter your sensibilities.
The stage is set at venues all across town: Teaterhuset Avant Garden, Trøndelag Teater, Olavshallen, Verkstedhallen, Trondhjems kunstforening, a storefront venue and festival bar, Moskus.
If you want to find out more about Bastard Festivalen you will find all the info on Avant Garden’s website, in our magazine and recent blog post where we interviewed theatre boss Per Ananiassen.
Boss-man Wil Lee-Wright caught up with Avant Garden’s Per Ananiassen to talk about the venue’s planned change and the performing arts they showcase.
Avant Garden is planning to move to Rosendal Theatre. Why and when did you decide to change location?
The current location used to be a print shop for the city’s second newspaper, Arbeideravisa, the workers’ paper which went bankrupt in 1990. Within 5 years of being in this venue, we realised that it was too small and so we started to look for a bigger venue in 1998.
So Avant garden has been looking for a new location for the better part of twenty years?! You are now able to move because you have managed to double the theatre’s budget in the last three years, the majority of which comes from subsidies from the ministry for culture and by the region (Sør Trøndelag Fylkeskommune and Trondheim Kommune). Is was the increased funding specifically for the new location or because of your increasing importance to the culture scene in Trondheim?
It was both reasons. I think the Department of Culture in Oslo has started to acknowledge the need of the programming theatres to consolidate and to become stronger. To have stronger artistic proposals and departments, and also that we need infrastructure. After all, we represent the national infrastructure for independent performing arts in Norway. Self financing only makes up about 17% of our budget. Funding makes it easier for us to plan and also to build the organisation.
Tell us more about the history of Rosendal – you must be very excited to have not only found a venue which suits Avant Garden’s practical needs, but one which has a history and name behind it.
It was a cinema built in 1921 by an American company. At that time, Trondheim was very small. Rosendal would have been well outside of town. There were cinemas in Trondheim but they were owned by the municipalities and it was illegal to have private cinemas.
They called it Rosendal Teatro, not kino, because it was regarded to be a little bit more upmarket. I am actually proposing that we change our name when we move there. ‘Avant Garden’ can be seen a little bit pretentious because it is relating to the historical avant garde in the arts. I sympathise with the avant garde movement because it was about making art accessible everywhere, and we are working with artists which have this kind of approach. Avant garde kind of means that you have been to some kind of promised land and you come back and tell. It is kind of old elite thinking in the arts. This was not necessarily intended by all artists in the historical avant garde movement, this is the way people regard it today: elitist.
We don’t want to be that. Avant Garden does not want to be part of the pop culture necessarily, but we use a lot of pop culture methods and media strategies. If you go to Rosendal, everyone knows what it is, where it is. It feels more accessible. We will still be what we are but we will be more than what we are.
The audience size will grow from 66 today to over 200 (and 100 in the smaller space). How important is it to fill the space and how will you accommodate the more marginal artists who do not require larger audiences?
There is some narrow art out there, people who are really taking big chances, experimenting with the new, something we have never seen before. Even I have problems understanding what they are doing, and I have been working in this business for a long time! I know that people have to have possibilities to show their art before they can develop. This is something we have to communicate to the audience too.
Avant Garden has a reputation for being quite cutting edge and for pushing the boundaries. So what will we be seeing at this year’s Bastard festival?
Anne Liv young; the way she is connected with the audience, which can be really hardcore and it’s really hard to be there. And Heine Avdal and Yukiko Sinozaki who are in our programme almost every year, who are super nice and super inviting. They are treating the audience with kindness and respect. In our time, that is also cutting edge! The bullies are ruining the world so some kind of inviting attitude and kindness and respect, can also be cutting edge. It is very much context which decides what is cutting edge.
In all the Bastard Festival programmes I have been responsible for over the years, I have never looked for the politically explicit expressions or projects. There is a lot of discourse going on, but what I am interested in the is the political potentiality in performing arts. Performing art per se is a political expression, because it always points at the nature of itself, namely the coming together of experiencing something together. Creating some kind of common platform and point of references so we can talk about something together. Today that is as important as ever before. Since this media revolution we have been though, we may have a lot to talk about but we talk about the headlines, but we do not talk about the depth of things. It is difficult to get out of the echo chamber.
We are building walls and we don’t allow any cracks to exist in the wall, and we are trying to cover up any cracks which do exist. I want this art festival to be one of the cracks in the wall. To paraphrase the film maker Morten Torvik, every wall has a crack and this is where spirit can come in.
Are other performances therefore more intense for the newcomer to the scene?
No not necessarily. Another highlight is we are opening the festival with Mia Habib’s A Song To…, a Norwegian choreographer from Haugusand. In this production she is choreographing 40 people; 16 professional dancers and 24 more (regular people). All of them are going to be naked on stage. If you want to be part of that you can, if you are willing to take your clothes off in front of the audience!
Are you asking me?! Well… can people still get involved?
You will have to check the status of how many people are signed up.
Also, on Saturday there is an Australian performer called Nicola Gunn with Piece for Person and Ghetto Blaster. She has made a production which is beautiful, fantastically well performed production. She tells a story while she is doing very intricate movements, very choreographed dance moves, and that the same time she is telling a story which raises some ethical questions. What is interesting is thane one hand it is very experimental piece but on the other hand it is a very relatable story. The complexity comes from the movement she is doing combined with the story.
For me, this is what Bastard festival is about. It is a chance too create a another way of reflecting. What you see is not always what you get in theatre. It is a visual art but it is only a tool for conveying something what is happening under the surface.